A phrase in D minor
- Dm
- B♭m6/G
- A7
- Dm
Hear B♭m6/G in a tonic–chord–dominant–tonic phrase. Its role depends on its position, not just its quality.
Discover the chord. Understand the music.
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Selected:G3B♭3D♭4F4
- Root
- 3rd / sus
- 5th
- 7th
- 6th / extensions
B♭m6/G
B♭ minor sixth over G
2 readings
A minor triad with an added major sixth.
- Chord tones
- B♭1 · RootD♭♭3 · 3rdF5 · 5thG6 · Ext
- Formula
- 1–♭3–5–6
- Root / bass
- B♭ / G
- Notes played (low → high)
- G3 · B♭3 · D♭4 · F4
- Voicing
- Slash chord — G in the bass
Other valid readings — choose the root you hear:
B♭m6/G · minor sixth
How to Use This Chord
Sound & role
Adds colour to a triad; its key and surrounding chords determine its harmonic role.
Genre examples
Pop
Folk
Rock
Examples of musical settings, not restrictions or claims about how often this chord appears.
Connection & passing potential
No specific chromatic passing use is established by these notes alone. A passing function requires a starting chord, a destination and voice movement.
B♭m6/G keeps the function of B♭ minor sixth. G is the bass; an inversion can smooth a bass line when neighbouring bass notes support it, but is not automatically a passing chord.
Diatonic context · example keys
Every chord tone fits these example keys. Other keys may also fit; the chord root is not assumed to be the tonic.
D minor · vi6
harmonic minor
F minor · iv6
natural minor, harmonic minor