A phrase in E♭ minor
- E♭m
- Bm6/G♯
- B♭7
- E♭m
Hear Bm6/G♯ in a tonic–chord–dominant–tonic phrase. Its role depends on its position, not just its quality.
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Selected:A♭3B3D4G♭4
- Root
- 3rd / sus
- 5th
- 7th
- 6th / extensions
Bm6/G♯
B minor sixth over G♯
2 readings
A minor triad with an added major sixth.
- Chord tones
- B1 · RootD♭3 · 3rdF♯5 · 5thG♯6 · Ext
- Formula
- 1–♭3–5–6
- Root / bass
- B / G♯
- Notes played (low → high)
- A♭3 · B3 · D4 · G♭4
- Voicing
- Slash chord — G♯ in the bass
Other valid readings — choose the root you hear:
Bm6/G♯ · minor sixth
How to Use This Chord
Sound & role
Adds colour to a triad; its key and surrounding chords determine its harmonic role.
Genre examples
Pop
Folk
Rock
Examples of musical settings, not restrictions or claims about how often this chord appears.
Connection & passing potential
No specific chromatic passing use is established by these notes alone. A passing function requires a starting chord, a destination and voice movement.
Bm6/G♯ keeps the function of B minor sixth. G♯ is the bass; an inversion can smooth a bass line when neighbouring bass notes support it, but is not automatically a passing chord.
Diatonic context · example keys
Every chord tone fits these example keys. Other keys may also fit; the chord root is not assumed to be the tonic.
E♭ minor · vi6
harmonic minor
F♯ minor · iv6
natural minor, harmonic minor