A phrase in D♭ minor
- C♯m
- C♯m6/A♯
- A♭7
- C♯m
Hear C♯m6/A♯ in a tonic–chord–dominant–tonic phrase. Its role depends on its position, not just its quality.
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Selected:B♭3D♭4E4A♭4
- Root
- 3rd / sus
- 5th
- 7th
- 6th / extensions
C♯m6/A♯
C♯ minor sixth over A♯
2 readings
A minor triad with an added major sixth.
- Chord tones
- C♯1 · RootE♭3 · 3rdG♯5 · 5thA♯6 · Ext
- Formula
- 1–♭3–5–6
- Root / bass
- C♯ / A♯
- Notes played (low → high)
- B♭3 · D♭4 · E4 · A♭4
- Voicing
- Slash chord — A♯ in the bass
Other valid readings — choose the root you hear:
C♯m6/A♯ · minor sixth
How to Use This Chord
Sound & role
Adds colour to a triad; its key and surrounding chords determine its harmonic role.
Genre examples
Pop
Folk
Rock
Examples of musical settings, not restrictions or claims about how often this chord appears.
Connection & passing potential
No specific chromatic passing use is established by these notes alone. A passing function requires a starting chord, a destination and voice movement.
C♯m6/A♯ keeps the function of C♯ minor sixth. A♯ is the bass; an inversion can smooth a bass line when neighbouring bass notes support it, but is not automatically a passing chord.
Diatonic context · example keys
Every chord tone fits these example keys. Other keys may also fit; the chord root is not assumed to be the tonic.
D♭ minor · i6
ascending melodic minor
F minor · vi6
harmonic minor