A phrase in D minor
- Dm
- Gm6/E
- A7
- Dm
Hear Gm6/E in a tonic–chord–dominant–tonic phrase. Its role depends on its position, not just its quality.
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Selected:E4G4B♭4D5
- Root
- 3rd / sus
- 5th
- 7th
- 6th / extensions
Gm6/E
G minor sixth over E
2 readings
A minor triad with an added major sixth.
- Chord tones
- G1 · RootB♭♭3 · 3rdD5 · 5thE6 · Ext
- Formula
- 1–♭3–5–6
- Root / bass
- G / E
- Notes played (low → high)
- E4 · G4 · B♭4 · D5
- Voicing
- Slash chord — E in the bass
Other valid readings — choose the root you hear:
Gm6/E · minor sixth
How to Use This Chord
Sound & role
Adds colour to a triad; its key and surrounding chords determine its harmonic role.
Genre examples
Pop
Folk
Rock
Examples of musical settings, not restrictions or claims about how often this chord appears.
Connection & passing potential
No specific chromatic passing use is established by these notes alone. A passing function requires a starting chord, a destination and voice movement.
Gm6/E keeps the function of G minor sixth. E is the bass; an inversion can smooth a bass line when neighbouring bass notes support it, but is not automatically a passing chord.
Diatonic context · example keys
Every chord tone fits these example keys. Other keys may also fit; the chord root is not assumed to be the tonic.
D minor · iv6
natural minor, harmonic minor
F major · ii6
major